While these could all be considered in some sense, dialogues, they are really quite different in certain literary respects. First person narration of Republic, Socrates as a possibly unreliable narrator, the temporal and character distance we see in Theaetetus, or the straight up style of Berkley. Playwrights even push these boundaries by incorporating other vehicles to convey meaning, such as physical sets, director notes (or the lackthereof) and so on.
When looking at the minutia of dialogue as a medium, we can see just how flexible and different two works, both ostensibly dialogues, can be. The series I'm working on will employ a wide variety of these narrative structures in an effort to approach ideas and character development differently, although the philosophical content and the characters themselves will appear in every dialogue.
I think this is an interesting idea Dom. The idea that there are many ways to write a dialogue specifically intrigues me because I am curious to know if one seems like it conveys philosophical ideas better than the others. So far, I'm not sure how I feel exactly what the answer is to that question in reading many different forms throughout the semester. Maybe that is something you can bring to light however in your work!
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